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Cameras and Point of Views

  • Great POV cameras you can buy online
  • Presenting images in a variety of ways using your POV camera
  • Cameras that increase characterization and depth of its images

Point of view matters in photography, especially when using cameras. For instance, if you want to make your subject look bigger, you need to angle your camera from a worm’s point of view, as this will make your subject more prominent. On the other hand, if you want to diffuse your subject, you need to position your camera from the top, a bird’s point of view, as this will make your subject looking insecure and small.

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That’s the inherent quality of a POV camera. POV cameras increase the dramatic effect of your photos. Aside from presenting your subject the conventional way, a POV camera allows you to create scenes that intensifies the level characterization and depth of your characters.

Now there are a host of POV cameras you can buy online. You can even get them at a discount, courtesy of these coupons. But, suffice it to say, you need a POV camera for you to present your subjects in a variety of ways.

Variety is all, so they say. In photography, variety makes your photos interesting. They are not presented in a conventional manner, they arrive with a twist, with an angle that increases their value. And you can only do that if you use a POV camera.

Stop presenting the same photos over and over again. Try something different, something that is out of kilter perhaps, something that makes your viewers think, once in a while, instead of giving them the same stuff all over again.

Your point of view is as important as the picture itself. This separates you from the rest of these photo editing crew, when you can present a subject in an unconventional way. And, needless to say, you need the help of a POV camera to do just that.

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“You Have to Overcome the Mental Barriers”

daniel aguilar

Treading Brazilian lands for the first time, the Mexican photographer Daniel Aguilar is developing its workshop on how creativity in photography. According to him, the key to let your imagination to overcome some of the mental barreas faced by professionals when shooting. “The mental barriers are more complicated. We must overcome our fears if we want our picture change. Sure, we all have fears something, and it is normal. But you have to overcome , “says Aguilar.

Furthermore, it stresses the importance of teamwork and “sharing information with other professionals and create associative links’.” Unity is to force!

At present, Aguilar is conducting a practice with participants in the streets of Sao Paulo, to show the concepts taught and deepen important aspect of creative composition.

Follow all the news through Wedding Brazil through Mirada Photos.

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CANON INTRODUCES THE EOS-1D C CAMERA

After the release of his camera EOS 60Da, Canon has announced it is going to launch a new DSLR model: the EOS-1D C, a new version of the EOS 1D X. While there is still no exact release date camera, rumors suggest that would be released to stores in October with the price of U $ D $ 15,000.

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This type of camera is aimed at professional film and video industry as the most interesting feature of this device is the ability to record video at 4096 x 2160 (4K) at 24 frames per second, recorded on Compact Flash format.

Following the tradition of 1D X, the camera has a Full-Frame CMOS design ISO 204,800 image sensor 18.1 megapixels, Dual DIGIC 5+ processor, (only reaches 25,600 in video mode), 3.2-inch LCD screen and outside similar to the previous version.

The Canon EOS-1D C digital SLR camera has been designed in response to the needs of filmmakers, television products and other high – level professionals motion image , ” said Yuichi Ishizuka, executive vice president and general manager of Canon USA. UU.

Seizing the occasion of the launch of this camera (along with C500), Canon also revealed that he would be working on a pair of glasses more for the Cinema EOS family, one of 15, 5-47 mm T / 2.8 and over 30 -105mm T / 2, / for EF or PL mount, although no concrete data on availability.

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“It is Good that an Image Wake a Debate at this Level”

When photographs of Wilton Junior was published in Brazil for the first time in the newspaper O Estado de Sao Paulo, the picture generated a controversy over the content of the image. Between praise and criticism, photographer Wilton offered an exclusive interview for the prestigious photography magazine PHOTO MAGAZINE.

A photo of Wilton Junior, published in August in the newspaper O Estado de Sao Paulo, was much debated in blogs and social networks in Brazil and the world. In it, the president of Brazil, Dilma Rousseff, appears transfixed by a rapier wielded by a cadet at the Military Academy of Agulhas Negras (Aman). From now Dilma at no time was under threat by this weapon: the image is the result of a physical characteristic of long-range telephoto lenses, that “compacted” planes, bringing them closer.

wilson junior

The photo illustrated perfectly the critical moment that the President was going on because of problems with his ministers and other party affairs. And the photo did not escape some criticism, many condemning the author of the picture for making the shot, others accusing the newspaper of tendentious. Of course also they were those who defended the image and photographer, saying he just did his job, a brilliant portrait of the political moment. Wilton Photo Magazine spoke with Junior on the photo and controversy.

What do you think about the controversy generated by the photo of Dilma?
I heard about the controversy generated by the photo days after being published. I found something interesting and stimulating. It is good when an image arouses a debate at this level. I think our role is this: make people think.

When he captured that image, and was aware of its political content?
Whenever I go out to hedge a political event, I look for a picture that can portray the moment. It is not always possible to transmit such information in an image but it happens. At that time, the President was with political problems in its own base, and the picture reflects well this dimension, since she appears as “attacked by the shoulders.” I went to the Military Academy of Agulhas Negras thinking about what kind of picture could portray this issue.

Did you feel at that time that had captured a great photo?
When editing the film, I realized I had a good picture, but only after I realized its true value. I’m not too excited, to “vibrate” so much, it’s my temperament.

You are positioned already thinking about the possibility of making a picture like that?
As you know, the coverage of an event where the President participates has a number of restrictions. We are not where we locate or circulate want. At that time, we were in a place away from the President, with a ribbon delimiting our space. From there, all of us (photographers) had to make photos.

What lens were you using?
It was with a 400mm lens, which ended up helping with the approaching planes. The sword in question seems closer to her than it really was. This lens was the most appropriate in that situation, not just for that specific photo.

Is the original image was published or suffered some cuts?
As the distance was great, I had to take a cut. It’s natural. It was the only picture of this sequence I sent for writing, and in the same way that I sent, was published.

There were those who said it was a montage …
To prove that no, the newspaper published on the blog the entire sequence.

What do you think about the opinion of those readers who have criticized the photo, to the point of considering it “tendentious”?
This is an interesting debate: how far reaches the photographer’s responsibility? For me, it is limited to the time the photo arrives daily with their respective legend. After that, all borne by the writer headlines and articles. So I do not consider myself biased. I made a picture that generates a reflection and shows my view on this political moment. This is our role, that’s what I want with my photography. My opinion about the picture can be summarized in one word: reflection.

The newspaper Estado de Sao Paulo is known for his conservative political positions, positions the paper itself makes clear question of leaving, even declaring his preference for Jose Serra in the last election. Do you think this spurred controversy?
I can not vouch for the newspaper, but did not see any political exploitation. If they wanted to do that, the picture would go to the first page, which would have much more visibility. It is, again, a picture that leads to reflection, a thought that not merely records an event. Of course it bears my opinion, my vision of the moment. It is that what we, photographers, let these events: to show our view. To give the official version, was just using images sent by the Presidency itself.

Were there other photographers you? Do they did the same photo?
There were others, on my side, I did not see published in other media. If they made the same picture, I do not know. I am seeking to concentrate on my work, without worrying what others do. In a few days we win, others lose. Only you can not lose every day.

 

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